Monday, July 14, 2014
Sony/ATV's Martin Bandier Repeats Warning to ASCAP, BMI
The major music publishers have long complained that they don't get market-share royalty rates from digital music services and, as a way to change that, began withdrawing digital rights from ASCAP and BMI. But the judges in both the ASCAP and BMI rate-setting lawsuits ruled that publishers must be either all-in or all-out.
In other words, if they want to do direct licensing for digital services, they have to do it for everyone. The judges said that the consent decrees which the two PROs operate under does not allow partial withdrawals.
After those rulings, the publishers and PROs reached out to the Dept. of Justice, asking them to review the consent decrees with the goal of having them amended to allow partial withdrawals.
Most publishers would rather not withdraw from the PROs because replicating general licensing for the hundreds of thousands (if not millions) of businesses that use music in their stores, bars, planes, hotels and clubs, would be extremely costly.
Nevertheless, Sony/ATV chairman and CEO Bandier says that, if it turns out that his appeal asking the rate courts to allow partial withdrawal or if the U.S. Dept. of Justice doesn't revise the consent decrees, then the company is "exploring other options, including the potential complete withdrawal of all rights from ASCAP and BMI."
In the letter to Sony/ATV's songwriters, Bandier wrote: "It is our hope that the DOJ and appeals process will recognize the benefits and fairness produced by partial withdrawals of performance rights."
If that occurs, then they could use ASCAP and BMI for collective licensing, where it makes sense.
"That being said, because the DOJ and legal process is not fully within our control, we may have no alternative but to take all of our rights out of ASCAP and BMI," the letter continues. "We recognize that full withdrawal is a significant step and we are carefully looking at all of the issues associated with this, including speaking with potential partners to assist us."
In an interview, Bandier said he is optimistic that the DOJ review will result in the consent decree being amended so Sony/ATV won't have to withdraw from the PROs to attain higher rates.
He pointed out that Rihanna's song "Diamonds" had 52 million streams, but the four songwriters were only paid $78,000 ($0.0015 per stream). That payment amount "doesn't make sense," he said.
With mechanical rates on the decline, and with digital streaming -- both passive and on-demand -- growing that performance rights become even more important, Bandier argued. "Sadly, the rates that are paid in that area are not equitable or adequate," Bandier said. "Its like writers' 401k's are being wiped out."
By Ed Christman
Click For Full Article
http://www.billboard.com/biz/articles/news/publishing/6157469/sonyatvs-martin-bandier-repeats-warning-to-ascap-bmi
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Thursday, June 12, 2014
7 ways to enchant your audience
How can you go beyond the usual efforts to create a successful presentation and enchant your audience? What are the secrets to creating magic with a speech?
Here are seven ways to take your speech beyond the ordinary. Some of them will be familiar, but hopefully at least one will be new to you, and help you connect with your audience better:
1. Tell a story. "Of course I tell stories," you're thinking. But do you make your whole speech a story? You probably just drop in the occasional anecdote.
Think about the standard Hollywood three-act structure. Do you raise the ante a third of the way through your talk, and then again two-thirds of the way through? Do you introduce conflict and suspense? Do you keep the audience on tenterhooks until the final curtain?
If you don't, you're not using storytelling the way you should to create forward momentum and suspense in a speech.
2. Involve the audience. The sweetest sound just about anyone can hear is the sound of his or her name. So, bring members of the audience in as examples, testimonials, subjects, exemplars of excellence and so on. Cite them, call them out and use them as the heroes of your stories. You'll have to do your homework to make this technique work, but the results will certainly justify the effort.
3. Bring the audience on stage. The most vivid and memorable form of audience involvement is to bring someone from the group onstage and have them do something relevant and fun. This technique should always be voluntary or arranged in advance—don't drag an unwilling person on stage with you.
4. Engage the audience in a unique way.There are few greater thrills rock bands can give their audiences then to play a song for the first time, or bring someone famous on stage to jam with them. Consider what the speaker equivalent would be. What can you do to give the audience a one-of-a-kind experience?
5. Poll the audience.Audiences today expect to participate. So, let them. Ask for their help in choosing or deciding something. It's not fair to expect audiences to create something from scratch and have it be of high quality, so don't ask them to come up with a name for something unless you can get them to pick from a list.
6. Enlist the audience's help. Get the audience to sign up for your cause. Get audience members to pledge to a worthwhile effort or commit to a goal. Get them to donate time, help or work. Audiences love when you ask for their help—as long as you do it in the right way—so don't be shy. First engage them with the worthiness of the cause, and then enlist them in the effort.
7. Thank the audience. What the speaker shares with an audience is a gift, and even the dullest speaker deserves appreciation. Similarly, the audience gives the speaker the gift of attention. Thank the audience when you're done. Give them a code, coupon, discount-some kind of present to show your appreciation. Say thank you, and mean it.
Every audience is an opportunity to connect and build community in ways that go beyond the usual handouts and slides. Stretch yourself as a speaker, and figure out something unique for each audience. You and your audience will be glad you did.
By Nick Morgan (For Ragan.com)
Click for Original Article
http://www.ragan.com/Main/Articles/48424.aspx#
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Wednesday, June 11, 2014
#LBIndieSongOfTheWeek: Tifa "Bak it Up"
This is a Hot Dancehall Tune that will be burning up the clubs this summer
Log on to www.islandkingsrecords.com
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@ItsTheTifa
@Islandkingsrec
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Tuesday, June 3, 2014
#LBIndieSongOfTheWeek: Amy Lynn & The Gunshow - Don't Trip On The Glitter
Amy Lynn & The Gunshow is a seven-piece machine that blows glitter all over the traditional memphis-motown soul/rock style. At the controls is Amy Lynn, a vocal powerhouse whose unique flair of quirky, down-to-earth humor countervails against the serious musicianship of The Gunshow’s team of bari sax, tenor sax, trumpet, keys, bass, and drums. Both together and apart, members of The Gunshow draw on a range of experience playing for acts such as Roberta Flack, Spoon, Bette Midler, Red Baraat, St. Vincent, The National, Yo La Tengo, Loser's Lounge, Duffy, Antibalas, and the Radio City Orchestra.
Check them out
@AmyLynnGunshow
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Sunday, May 11, 2014
Beats Co-Founders Dr. Dre and Jimmy Iovine Expected to Take on Senior Roles at Apple Following Acquisition
Beats co-founders Jimmy Iovine and musician Dr. Dre are both expected to take on senior roles at Apple following Apple's acquisition of Beats Electronics, reports The Wall Street Journal. The two may not take on full time positions, but will commute from the Los Angeles area, where Beats is based, to meetings in Cupertino and elsewhere as necessary.
Citing people familiar with the matter, The Wall Street Journal suggests that specific roles for Iovine and Dre remain unclear, but Iovine will be leaving his role as chairman of Interscope Geffan A&M records, a division of Vivendi SA's Universal Music Group. Both Dr. Dre -- real name Andre Young -- and Iovine could help Apple secure deals with record labels and attract younger customers.
While Mr. Iovine's rock-star temperament could still ruffle some feathers in tech-centric Cupertino, it may help Apple broker deals in the music industry and appeal to the younger consumers who gravitate to Beats headphones.
Apple is said to be working on an overhaul of iTunes in order to boost declining music sales. The addition of the Beats Music streaming service along with a thriving hardware business and two seasoned veterans of the music industry may help the company achieve the drastic revamp it's aiming for while introducing new revenue streams.
Today's report follows a report from the New York Post suggesting Iovine will join Apple as a "special adviser" to Tim Cook on creative matters. While Apple's $3.2 billion acquisition of Beats Electronics has yet to be completed, Dr. Dre seemingly confirmed the acquisition in avideo posted this morning, where he alluded the merger would make him the "first billionaire in hip-hop."
As noted by The Wall Street Journal, Apple's hiring of Dr. Dre and Jimmy Iovine represents Tim Cook's willingness to step out of the spotlight. Earlier this month, the companywelcomed former Burberry CEO and high-profile hire Angela Ahrendts as the new retail chief. Other Apple executives, like Jony Ive and Craig Federighi, have also been stepping into the spotlight more often than they did under Steve Jobs.
By Juli Clover for MacRumors.com
CLICK FOR ORIGINAL ARTICLE
http://www.macrumors.com/2014/05/09/drdre-and-jimmy-iovine-to-join-apple/
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L&B Consultation: is a full service Multimedia Marketing & Consulting
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Friday, May 9, 2014
Goodwill goes a long way..
L&B Consultation: is a full service Multimedia Marketing & Consulting
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Saturday, May 3, 2014
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